Kolonie Wedding 25-27 May and more....
| Friday 25th May is the Vernissage evening in Kolonie Wedding 11 + shows opening incliding: Art Laboratory Berlin Art and Music II Leo Königsberg - Space-Cello, painting Inbetween (2001), film Cloud-Pieces (2005) The live performance on Friday, May 25, 2007 will be filmed by Sven Zimmermann and will be shown in the following exhibition from May 26 - June 17, 2007. | ||||||
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In connection with his painting Inbetween (2001) and his film projection Cloud Pieces (2005) Leo Königsberg will realize a sound collage on his space cello. This audiovisual production will be taken further by the live act by Christian Glass' electronic acoustics. The dance performance by janusz de woyciechowski, in relation to his film Titania (1970), which will be projected in the art space, will develop this interdisciplinary experiment through the human body in movement. The Tiefenrauschorchester consists of sound and visual artists, performers, dancers in varying combinations. It is part of the FACTORY-BERLIN, an artist community located in a former battery factory in Berlin-Oberschöneweide. It was founded at the beginning of the 1990s as a place for the production of painting, sculpture, music, performance, dance, film, photography and theater. "The performance project 3-Room-Conference is an artistic communication in three different spaces. The artists communicate with one another by means of different media in their own specific forms. Elements of sound flow together with the help of an electronic setting which complements the video works. These, in turn, correspond to the dance performance. Altogether we have a whole body of art, which the spectator through his/ her pure presence will become a part of, and without having to act he/ she will become an agitator." | ||||||
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| Leo Königsberg with his Space-Cello, Sounds of Industrial Past (Tiefenrauschorchester, roof performance, Berlin 2006) | ||||||
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| Space-Cello by Leo Königsberg | ||||||
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| janusz de woyciechowski, Titania (1970) video still | ||||||
Galerie Art Digital
Freienealder Strasse 30
Marina Gertsovskaya
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25 May - 20 June
Venissage 25 May from 8 PM
26- 27 May 13-18
through 20 June by appointment 0179/1499265
Vierter Stock
Koloniestr. 131 hh
Projects
No. 3 Maryna Baranovska
Schwarzwald
Eröffnung: Freitag 25. Mai 2007, 20 Uhr
Ausstellungsdauer: 26. Mai bis 29. Juni 2007
Sa.- So. 13-17h
vierter stock hat die außergewöhnliche Ehre, eine besonders junge Künstlerin bei sich zu Gast zu haben. Die 1983 in Kiev geborene Ukrainerin Maryna Baranovska lebt seit 2001 in Berlin. Nach dem Abschließen der Kunstschule T.G. Schevtchenko/Kiew, begann sie 2002 ein Studium der Malerei an der Hochschule der Künste in Berlin (UdK) unter der Führung von Dieter Hacker. Während ihrer Zeit als Studentin der UdK nahm sie bereits an zahlreichen Gruppen- und Einzelausstellungen teil. Darunter auch als Preisträgerin der bekannten Dorothea Konwiarz Stiftung. Die Ausstellungsleiterin Creixell Espilla Gilart und Maryna Baranovska stehen seit langem in engem Kontakt. So organisierte Creixell Espilla Gilart die erste Einzelausstellung der Künstlerin im Rahmen der Ausstellungsreihe 'Dimensionen der Stadt' in Projektraum „space untitled“ des KolonieWedding e.V. im Jahr 2006, die auf unerwartet große Resonanz stieß. Nicht zuletzt deshalb fanden die beiden Frauen erneut zusammen und präsentieren ab dem 25.Mai ihr neues Projekt. Der Titel der Ausstellung lautet SCHWARZWALD. Schon in früheren Ausstellungen stand der Wald im Mittelpunkt von Maryna Baranovskas Werken. Eine Erklärung für den starken Bezug der Künstlerin zur Natur, insbesondere zu Wald und Bäumen, und deren immer wiederkehrende thematische Ausarbeitung, bietet Baranovskas Herkunft. Nahe Kiew wuchs sie weit abgeschieden im Haus der Eltern, gelegen in einem großen Waldgebiet auf. So soll der Titel der Ausstellung eben auch keine negativen Assoziationen wecken. Vielmehr lässt sich eine Verbindung zwischen dem deutschen Schwarzwald als Erholungsgebiet, und damit als positiv besetztem Begriff, und Baranovskas SCHWARZWALD im Sinne von nächtlichem Wald herstellen. Die üblicherweise in Verbindung mit Dunkelheit und Wald erste empfundene Angst soll durch den positiven Eindruck des Schwarzwaldes umgekehrt werden. So geben Maryna Baranovskas Werke auch keinen Anlass zum Fürchten, sondern stellen abstrahiert ihre Verbindung zur Natur dar und bieten dem Betrachter ebenso diese Möglichkeit. vierter stock zeigt eine Installation in Form eines Wandpaneels in Verbindung mit räumlichen Elementen zum Thema Wald, oder einfacher: Einen Indoor-Wald. Darüber hinaus werden Leinwände präsentiert, die ebenfalls Natur, Bäume und Wald in abstrakten Formen und Gestalten wiedergeben.
Others exhibitions in Wedding:
sunday wedding 25. - 27. mai
art laboratory berlin
prinzenallee 34
„three room conference“ tiefenrausch orchester
vernissage 25.5. ab20h performance ab 21h30
26.5.-27.5* 14-18
ausstellung läuft bis 17.6. fr-so 14-18
gad galerie art digital
freienwalderstr. 30
„golem“ marina gertsovskaya
vernissage 25.5. 20-23h 26.5.-27.5. 13-18h
ausstellung läuft bis 20.6. nach vereinbarung 0179/1499265
kunstraum_ sumpfhahn raumkunst
koloniestrasse 38
„liquidation' installation/performance“ mag.a daniela jauk divanova und mag. art. ing. erwin posarnig (pliant)
vernissage 25.4. ab 20h 26.5-27.5.* 14-18h
ausstellung läuft vom 10.05 bis 31.05 do-sa 17-21h,
artport
biesentalerstr.16
„der rote tisch“ fotografien von wolf gutbier.
vernissage 25.5. 20h 26.5.-27.5.* 14-18h.
prima center berlin
biesentalerstr. 24
„good guys and bad guys“ - danijel babić & đula šanta
vernissage 25.5. ab 20h, 26. - 27.6. 14-18h
ausstellung läuft bis 07.6. di-fr 13-18h
atelier soldina
soldinerstr. 92
„lessons for other times“ von elena ilina
vernissage 25.4. ab 20h, 26.-27.5.* 14-18h
und nach vereinbarung unter 0178/6369697
forum soldiner kiez
prinzenallee 45 c
malerei, video von t.yavuz
vernissage 25.5. 25h 26.5-27.5* 14-18h
projektraum m&n
biesentalerstraße 5
"dead space", installation von monika goetz
vernissage: 25.5. 20h 26.5.-27.5* 13-18h
ausstellung läuft bis 18.6 sa-so 13-18h
| 2 x 25 watt, by Monika Goetz at M&N werk-raum prinzenallee 58, 3. hof „skulpturen + objekte: bronze - holz – stahl“ wassily heuschober + josef vilser vernissage 25.5. ab 20h, 26.-27.5.* 14-18h vierter stock projektraum berlin koloniestr. 131, hh, 4. stock „schwarzwald“ maryna baranovksa vernissage 25.5. ab 20h 26.5-27.5* ausstellung läuft bis 30.06. sa-so 13-17h bar art prinzenallee 38 „gemütliche ecke/neue ecke-part 2“ iwona borkowska & lucyna viale 25.05 vernissage 19h 19h30 „tour der galerie“ ab 22h party 26.05.ab 14uhr laufende ausstellung 27.05.* ab 13h, frühstück-buffet 14h „tour de galerie“ |
Carlier Gebauer
MARK WALLINGER | The End
PETER POMMERER | Ich war im Hemd oder im Unterrrock
31. May 2007, 18 - 21 Uhr.
01 June - 28 July 2007.
--
carlier | gebauer
phone: + 49 30 280 81 10
fax: + 49 30 280 81 09
Holzmarktstraße 15 - 18, Bogen 51/52
6. Mai 2007
Anna-Catharina Gebbers | Bibliothekswohnung
Ziegelstr. 2, Apt.#06.03
D-10117 Berlin
www.acgebbers.com
10179 Berlin
12 - 6 PM
Andrea Winkler - White Belt
(Einzelausstellung / Solo Exhibition)
2PM
Markus Steinweg - Was ist ein Subjekt?
(Vortrag / Lecture in German language)
Andrea Winkler creates works of intense sensuality and minimalist
elegance. Made from “poor materials” like paper, foil, tape or glossy
magazine pages her delicate reliefs and often frilling objects produce an
atmosphere of “Baroque Povera”. The pieces are sparingly dispersed
in the space attached to the walls, spread out on the floor, fixed to
architectural protrusions and hanging from the ceiling. To the viewer
walking respectively navigating through the space impressions change and
new images occur. Carefree, playful and seemingly existing there only
temporarily, things appear light and mobile like transit passengers. But
the picture is well composed and catches the passerby with powerful
seducement.
It is evident that more often than not, a drawing element runs through
Winkler’s artistic practice, and which she extended to the
three-dimensional space. Even though her work aims to intensify the experience of
looking by slight spatial interventions it could not be characterized
as “minimal” in the traditional sense. The choreography of
materials, the marshalling of elements and the emphasis on the ephemeral are
rather alluding to Bataille’s crossing of borders and his definitions of
beauty, erotic, exuberance and excess.
Andrea Winkler (*1975 in Zurich, CH) has studied at the Slade School of
Fine Art, London and the Academy of Fine Arts, Hamburg, with Wolfgang
Tillmans, Cerith Wyn Evans and Gisela Bullacher. Her work was exhibited
amongst other at Kunsthalle St. Gallen, Kunsthaus Hamburg, Aargauer
Kunsthaus, Kunstverein Springhornhof, Center of Attention, Anthony
D’Offay, London, and Tanya Bonakdar Gallery, NY. Andrea Winkler recently
moved from London to Berlin.
At 2pm the philosopher Marcus Steinweg will hold a lecture in German
language about the subject (as something which is more than an object
and it’s reality in the universe of facts): „Was ist ein Subjekt?“
(What is a subject?). The audience is invited for a vivid discussion
afterwards.
Marcus Steinweg (*1971) is author of philosophical and literary texts.
His recent publications are a.o.: „Krieg der différance“ and
„Autofahren mit Lacan“ (both Koblenz: 2001), „Der Ozeanomat. Ereignis
und Immanenz“ (Cologne: 2002), „Bataille Maschine“ (Berlin:
2003), „Subjektsingularitäten“ (Berlin: 2004), „Paloma Varga Weisz“
(with Jean-Christophe Ammann and Anna-Catharina Gebbers; Kleve,
Frankfurt/Main: 2004), „Behauptungsphilosophie“ (Berlin: 2006),
„Mutter“ (with Rosemarie Trockel; Cologne: 2007), „Duras“ (with Rosemarie
Trockel; Berlin: Juli 2007). For several years he has been
collaborating regularly with the artist Thomas Hirschhorn. Steinweg lives in
Berlin.
Perhaps—
A Loose Dialogue on the Possibility of The Blind Man #3 & other
propositions
NICE & FIT SHOWROOM
Brunnenstrasse 13
10119 Berlin
+4930 440 459 76
niceandfitgallery.com
hours: Tuesday thru Saturday, 12-6pm
and by appointment
Etienne Chambaud & Hannes Schmidt
May 25-June 23, 2007
Opening: Friday, May 25 at 7pm
"— [...] So for a short historical introduction, we should maybe talk
about the original magazine The Blind Man, back in 1917.
— Sure, Go ahead.
— So, in the spring of 1917, in April and May to be precise, in New
York, a group of people released two issues of a new magazine called
The Blind Man. The first issue was subtitled Independents’ Number and
the second one P.B.T. The initials P.B.T. stand for Pierre
(Henri-Pierre Roché), Beatrice (Wood) and “Totor” (from Victor),
Roché’s nickname for Marcel Duchamp. They were the three associated
publishers of the magazine. The first issue started—after few gallery
advertisements! —with the sentence : « The Blind Man celebrates to-day
[sic] the birth of Independence of Art in America ». "
[...]
"— What do you mean by "building misunderstandings"?
— Ok, let's take a little step backwards! I will explain a bit the
origin of the idea. [Laughs] I guess we're switching now to some kind
of an acted dialogue. Hmm… [Laughs]
When I was first thinking of this kind of a project, I had the idea of
an entire series of next issues of "dead" magazines. I wanted to put
together some people, basically some friends, to work on the repetition
of the last issue of different magazines, on second ends.
— Like an alternative ending for a movie?
— Pretty much."
[...]
"— Yeah, for sure, but you can say that for…
— …About basically any…
— …Any thing.
— Or almost!
— This problem of perception in time traveling is really somehow a way
for me to understand the figure of the blind man as the figure of the
time traveler and the one of the blind man are probably reversed
figures, each one being the negative of the other. The time traveler
cannot be seen but probably can see. It makes him an anti-blind man.
— Hmm, an anti-blind man!? He can see but he can't be seen, that's
what you‘re saying?
— Yes, like when you're a kid and you play this game...where you hide
from your friends. How do you call it in English?
— Hide-and-seek.
— … And you always have one friend, maybe when you’re five years old or
something, who thinks that if he closes his eyes you won’t see him
anymore…because…
— …He thinks he becomes invisible."
[...]
Etienne Chambaud and Hannes Schmidt met a few months ago in Paris. They
started talking about putting together the third issue of The Blind
Man, a magazine launched by Henri-Pierre Roché, Beatrice Wood and
Marcel Duchamp that folded in 1917, after just two editions.
Their conversation culminated in "Loose Dialogue Piece", a
collaborative project that addresses the repetition of an “end”, then
switches to general questions of consciousness, blindness,
phenomenological understandings of time traveling, etc.
In addition, new works by the artists will be presented as part
of Perhaps___.
Etienne Chambaud (*1980, Mulhouse, France) lives and works in Paris.
Recent exhibitions include: “Le Présent”, Cortex Athletico, Bordeaux
and “Transmissions”, Villa Arson, Nice. This is his first exhibition in
Berlin. Hannes Schmidt (*1974, Freiburg, Germany) lives and works in
Berlin. He is represented by Nice & Fit, Berlin. Recent exhibitions
include: “Hannes Schmidt at Eva’s Arche”, GBE, New York, “Dicht im
Frontalunterricht”, Nice & Fit, Berlin and “Panic Room: Recent
Acquisitions from the Dakis Joannou Collection”, DESTE, Athens.
For additional information and visuals please contact Helena
Papadopoulos or Natasha Isaacs at 030 440 45976 or
mail@niceandfitgallery.com
posted by christian at 10:07 pm
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